We get the things like timecode, file naming, metadata, and other process right so that editing and later relinking for DI, sound and VFX works painlessly. We have faster systems and can do overnight dailies. If you’re managing the on set data backup yourself or with a basic data backup person, but can’t keep up with dailies and uploads, or have no clue what the producer or the channel really wants, then pass them on to me. I train them, observe them, monitor them, I make sure they do it right. I have film-school trained girls and boys who speak English, understand film-making and editing, and have spent 3 or more years in a classroom studying it. If you’re looking for ‘copy-paste’ services that attendants do for a nominal budget, then we don’t do that. We also do, if needed, Avid/Premiere Pro project prep on location, basic editing lineup on set And we can provide this service in case you don’t have an account with any sharing service. We also upload for preview to Pix or frame.io or any cloud service of your choice. This, after applying standard LUTs for log footage, jam sync with audio, synced dailies. (means edit-ready files for Avid/Premiere/FCP editing). My teams and I manage fast, secure and verified backups of camera cards to multiple drive backups, make reports, creating dailies from original camera files. I could also figure out from reading their tech specs, what a Netflix or Amazon Prime really wants, what they will demand, what they may overlook, and and what they won’t tolerate. Because films made by happy and healthy people are often good and successful films. So that your team can work happily and get home on time everyday, take weekends off, and be healthy. I could figure out an ideal workflow based on your shoot schedule, locations, logistics, delivery requirements. I can provide you advice on camera formats, drives, backup strategies, post systems, workflow.
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